This song is not for the faint hearted. It is up there
with every other guitar classic, if you already play in a band or
soon will, it is one of the more requested songs. Many people play
this song and just jam it rather than learn it note for note, I
am guilty of being one of them. I first learnt it as a fill in song,
one where the rest of the guys in the band said "we should
learn Sweet Home" and from there no one really put much effort
into learning it because it's only 3 chords and a jamming solo around
the scale of "E
Blues"... How hard could it be?
I'ts only been the last few years when I've really
started teaching the song to students that I've realised this is
a difficult song to play verbatim, jamming it's easy. Spend the
time now and learn it note for note, there is a lot of riffs here
that are standard and a few more that go against the grain of most
players (fingers go next where they don't normally go).
I have split the parts into three main guitar parts
(3 electrics - guitar 1, guitar 2 & lead), there is also an
acoustic in there as well but it doesn't play a vital roll, so once
you get a feel for the song you'll be able to work out the feel
for the acoustic.
Amplifier Settings
Every amp is different, so this is a rough setting.
What you want from your amp is a nice rich top end with a even amount
of bass added. The sound is only slightly distorted so make your
gain just a little higher than the volume (the more the gain
over rides the volume the more it distorts). Some amps or effect
pedals have level switches, Lo Gain, Mid Gain & High Gain.
Sweet Home Alabama - Intro (Guitar 1 & 2)
Listen to the following parts combined.
Guitar 1 - Intro
Learn these 3 shapes first, D, Cadd9 (C9) and G are
the 3 main chords that make up this song. There is a F Major (Bar
Chord) placed twice elsewhere in the song but we'll get to that
later.
D
C9
G
The TAB below is based around the above 3 chord shapes
then a riff on the end (highlighted). Practice both parts separately
over and over then try to put them together. When I teach this song
to anybody they always have trouble getting the riffs up to speed.
Remember to start slow and work your way up in speed. Don't try
to play them fast first up unless your a little experienced as you
may learn them wrong and interpret the riffs with your own personal
shortcuts.
From bar 6 the rest of the band comes in..
Guitar 2 - Intro
Listen to the audio tutor to get the timing for
this riff. Start it with your 1st finger 7th fret.
This rhythm is similar to the verse rhythm pattern. As you can see the first
riff (bar 7) is doubling up with guitar 1 above. The second riff
in bar 9 is played as a piano line in the song but you can use the natural
harmonics if you don't have a piano player in your band. I just
put it in because it sounds good!
Guitar 3
Sweet Home Alabama - Verses (Guitar 1 & 2)
Listen to the following parts combined.
Guitar 1
Once you get use to the feel of the intro the verse
rhythms are virtually the same. Again, these guitar parts are split
into chords then a riff as shown highlighted below.
Guitar 2
The second guitar in the verse is not a difficult
part to play although you do have to listen to the audio demo a
few time to get the timing right. I would suggest playing the D
note (2nd string 3rd fret) with your 3rd finger then the G note
(1st string 3rd fret) with your little finger as if you were playing
the top end of a G Major chord. This way in bar 7 when you slide
up to the 5th fret you can place your 1st finger on the 3rd fret
1st string (G note)
Verse Pre-Chorus (Guitar 1)
The only difference in this part is the end riff (highlighted
in yellow) is new all the rest stays the same.
Verse Variation
Guitar 1
Listen to the following parts combined.
This variation only happens once in the song in the
3rd verse.
Song
Text (verse 3)
In
Birmingham they love the gov' nor (Boo ooh ooh)
Now we all did what we could do...
The (boo ooh ooh) is F C D as shown
below (boo=F ooh=C ooh=D).
The D chord is the start of the next bar.
Guitar 2
Start this riff (yellow highlight) with your 1st finger
on the 4th string 5th fret. It's a bit difficult to get the 1st
finger from the 3rd note in the riff (3rd string 5th fret) up to
the next (5th string 5th fret) but it's not a major riff in the
song like the others are so you don't really hear it too much.
Sweet Home Alabama - Chorus (Guitar 1 & 2)
Listen to the following parts combined.
Guitar 1 - Pre-Chorus (2nd Chorus)
the following bars (26 to 29) still belongs to the verse, it's only the last part in bar 29
(yellow highlight) that varies. This is a unique riff that only
happens before the chorus every time.
Most of these riffs are similar and easy to get wrong,
so make sure you look and listen carefully to get it right the first
time.
Guitar 1
The chorus is all mainly 5th
chords with an occasional 2 fret stretch with your little finger
up from the 3rd finger on each 5th chord. This is taken from an
old blues rhythm style..
For the D5th
chord shape use the standard 1st finger on the thicker (5th)
string and 3rd finger on the (4th) thinner string under it. When
you play the note 2 frets higher than the 3rd finger make sure you
stretch your 4th finger. Some people play the 5th chord using their
1st & 2nd fingers then stretch with their 4th. I guess it's
up to you but I prefer the 1st way.
Place your mouse where it says to see what finger to use for the
5th chord shape. The fingers will stay the same for the C5 &
G5.
Guitar 2
For the 2nd guitar part you are playing a rhythm similar
to the verses except for the 2nd bars in each part (bars 31 &
33). In bar 31 you strum 3 G
Major chords, all off beat (on the "&"). Make
sure you count it through to help with the timing. The "1
2 3 4" is the beat (quarter note/crotchet),
the "&" represents the half beat (eighth note/quaver) and at the end of
the bar there is an "a",
these represent the 16th
note or semi-quaver. Listen to the audio tutor to get the idea.
Sweet Home Alabama - Solos & Riffs
Riff 1 - Intro
This riff has already been show on the "Intro"
page. I placed it here to show all the separate riffs in the song.
Start this riff with your 1st finger then place your 3rd finger
on the 5th string 9th fret (E) and slide back then up.
Riff 2 - Guitar 1
Listen
to Riff 1 Guitar 1 & 2 combined
The three main chords to this song are D,
C then G. I like to describe the next riff this way. If you
were to play D Major as an A
shape bar chord it would be placed
on the 5th fret, each one of these riffs are played off the
back of that A shape bar chord (use the mouse rollover to demonstrate).
Riff 2 - Guitar 2
This riff is the same as Riff 2 - Guitar 1 except
for the end of every progression (yellow Highlight) there is a natural
harmonic played on the 12th fret. On end of bar 19 there are
natural harmonics used in conjunction with the tremolo
bar.
Riff 3
Listen
to Riff 3 combined
This riff happens after the Main
Solo over the top of riff 2. Start the first note (4th string
12th fret) with you 1st finger. Bar 76 is played 4th finger 14th
fret, 1st finger 10th fret slide up to the 11th then lay your 2nd flat over the two 12's on the 4th
& 5th string, then slide that finger back to the 10th fret.
Bar 77 used more natural
harmonics.
Riff 4
Listen
to Riff 4 combined
This riff is placed between the two choruses at the
end of the song. Listen to the audio examples to help you with the
timing.
Sweet Home Alabama - Lead Breaks
All solo's on this page are broken down into phrases. These phrases
are smaller sections of the solo. Use them to memorise each solo
riff by riff. When you place your mouse over the TAB it will reveal
the phrasing, when you click that phrase you'll play an audio example
of that phrase. You can listen to the entire riff with backing by
clicking the "Listen to all the
following parts combined" link.
1st Lead Break
Listen
to all the following parts combined
This riff is a favorite of mine! it's fast, melodic and challenging.
If you are a beginner, then it maybe a little hard for you to get
it up to speed. When learning something difficult learn it slow
and in time. If you try and start to fast then you'll end up learning
mistakes and in the future when you have to correct them it will
be twice as difficult.
As far as what fingers to use it is always a case of common sense. For example you wouldn't
start this riff with your 1st finger. Mainly because the next note
played is below it on the 12th fret. Obviously you would start with
either your 3rd or 4th finger. When bending I have a habit of using
my 3rd finger, even when I have to stretch over a 4 fret span between
a bend and the next note. I have taught this song to lessons and
some prefer using their 4th finger on the bends (especially
the 1st bend in bar 37).
Tips: Bar 38 (Phrase 2) - Keep it finger correct, lay your 3rd finger flat across the 10th
fret to start with and use your 4th finger when it goes up to the
11th.
Tip: Bar 41 (Phrase 5) - In the 5th last note there is a slide from 9th to 10 then back down to the 9th. I prefer to bend the 9th, it makes the phrase flow a little better.
Main Solo
Listen
to all the following parts combined
In my personal opinion this solo waffles on towards the end. It
doesn't seem to contain enough melody to make it easy to remember.
Make sure you use the "Phrasing" method to help you remember
each riff. Some solo's you can sing the guitar parts riff by riff
(e.g.. Hotel California),
this make it easier to remember because it's already in your head
and all you have to do is put the melody to the guitar. Throughout
this main solo there is a lot of pentatonic scale use, so try to
know what scale you're playing in, it does help in the future.
Phrase
Scale
Starting Fret
Phrase 1
1st
G Major Pentatonic
(open)
Phrase 2
4th
G Major Pentatonic
(7th fret)
Phrase 4 to 9
1st
G Major Pentatonic
(12th fret)
Phrase 10
2nd
G Major Pentatonic
(15th fret)
Phrase 11
1st
G Major Pentatonic
(12th fret)
Tips: Bars 62 to 64 (Phrase
3) - If you click on the 1st part of the phrase it will
play the entire phrase. Then it is broken down into groups (1 to
5). By placing your mouse over each group you can view each individual
one and sample the audio. This riff sounds like it goes out of time
and it is very difficult, so work with the audio to get it right.
It also includes some stretching with your fingers. Here are the
suggested finger placement.
12th fret (1st finger)
14th fret (2nd finger)
16th fret (3rd finger)
17th fret (4th finger)
Tips: Bar 66 (Phrase 5) - The wiggly line (~~) represents "Vibrato"